Electronic Music NewsElectronic music festival draws eclectic global crowd
The News Review:
- Electronic music festival draws eclectic global crowd
- Remembering Early American Electronic Music
- Books of The Times When Admiration Turns Into bsession
- I’ma little bit country’ oh who am I kidding?
- MUSIC REVIEWS: ‘Fast and Furious’ Soudntrack; Bacon Brothers
Electronic music festival draws eclectic global crowd
Beacon Newspaper (subscription)
They came to worship those gods of trance; legendary DJs including Tiesto Paul van Dyk and Moby as well as the Prodigy the Black Eyed Peas Armin van Buuren and Erick Morillo among other big names in town for the WMC. In the same year when Langerado an annual music festival also scheduled to be held in Bicentennial Park was canceled due to poor ticket sales the WMC and Ultra both thrived attracting more visitors than ever before. Cesar Bourdon an exchange student from France working on his MBA knows a thing or two about electronic music festivals as they are more common on the other side of the Atlantic. Still he said he had never really seen anything quite like it. ?To describe it in one word: awesome? Bourdon said. ?I?ve lived in Europe so I have something to compare with. I?ve never been to anything like Ultra.
Related from Maniafest: Azalea Festival draws families near and far
Remembering Early American Electronic Music
Brooklyn Rail
Meanwhile Source’s contents could have been represented on a richly illustrative DVD. Fortunately I still own and treasure most of the original issues. Another recent tombstone in the history of ancient electronic music is the eponymous anthology The San Francisco Tape Music Center (University of California) edited by David W. Bernstein and subtitled “1960s Counterculture and the Avant-Garde. ” The strongest most surprising chapter in the book comes not from a composer but from the sometime painter Tony Martin who became a light artist indeed a major light artist while working with the composers. This alone makes this book valuable. Since earlier literature about the S.
Books of The Times When Admiration Turns Into bsession
New York Times
After his mother died when he was 6 he seems to have absorbed his cynical father’s dictum that “love is not sufficient” that “there’s always something after happily ever after. ” What awakens Julian from his emotional slumber are some songs by a young Irish singer named Cait ’Dwyer a tough talented and about to become-wildly famous musician. An ardent music junkie who is almost permanently plugged into his iPod Julian becomes mesmerized by her songs and soon by Cait herself. He leaves some directorial advice scribbled on some coasters for her at the local club she plays but declines to meet her in person. Soon he is following her on the Web (through her own Web site and others) and has tracked down her address in Brooklyn lurking and ogling without ringing the bell. Phillips makes the daunting job of conjuring up a fictional singer and her music seem easy — in sharp contrast to the cartoonish portraits of two rock musicians drawn by.
I’ma little bit country’ oh who am I kidding?
Las Vegas Weekly
ne of these things just doesn?t belong. While I listen to anything from classical to rock to electronic dance music sometimes even a bit of angsty-folk or rockabilly I cannot stand country. Yup I?m one of those people. And somehow I ended up at the Academy of Country Music Awards at the MGM Grand. I?ve tried to give country music a chance.
MUSIC REVIEWS: ‘Fast and Furious’ Soudntrack; Bacon Brothers
Alton Telegraph
The Neptunes’ Pharrell unleashes Pitbull into the churning banger “Blanco” which is offered in bilingual and “Strictly Spanish” versions while Lil Jon steps up with yelps and “yeahs” in support of the tenacious rapper on a manic “Krazy. ” Pitbull also gets assistance from Tego Calderon injecting a shot of lust into the machinery of the Latin-electro “You Slip She Grip” and singer Robin Thicke’s high soulful voice adds balance to the rapper’s hard drive over the mad cadence of “Bad Girls. The collection is rich in non-Pitbull material too: pening cut “Bang” by Rye Rye is a full-throttle roll of fractured marching drums and surreal vocals; Busta Rhymes leads the attitude-filled strut of “G-Stro”; Shark City Click pounds through the chunky arrangement of “Head Bust”; and Kenna’s “Loose Wires” is tethered to heavy bass and a grainy rope of electronica. The only bump in the road is Tasha’s choppy momentum-killing remake of Madonna’s “La Isla Bonita” – an estrogen-filled slick spot on a testosterone-packed track. Consider it a pit stop. Rating (5 possible): 4–”NEW YEAR’S DAY” The Bacon Brothers (Forosoco)Kevin Bacon has had a lot of unmemorable roles and one of those is his part in The Bacon Brothers.